Film

Parasomnia (2026) serves as a decent supernatural horror film delivering representation that feels natural rather than tacked on.

Legend of the White Dragon is an absolute train-wreck from beginning to end. It’s a complete mess but still finds a way to create pure magic.

The Secret Woman follows when an amnesiac woman’s previous life catches up with her. She is drawn into a mystery that never fully comes together.

Netflix’s The Whisper Man is by no means a game changing thriller, but is often carried by riveting veteran cast more than anything.

Angourie Rice and Spike Fearn are an unlikely duo searching for true love, and how to disprove it exists, in the flawed but sweet Finding Emily.

The Dink follows its familiar sports-comedy formula through the final point without ever making the journey feel like its own. 

With Colony, Yeon Sang-ho proves he still has the juice to craft an entertaining nail-biter, but it doesn’t do enough to stand out.

The second in Statham’s actioners this year, Mutiny (2026) just doesn’t find a way to be a must-see has middling plot takes away from pure action.

Tony (2026) reminds us that our choices don’t define us. In spite of everything, we get to make the decision to be the very best version of ourselves.

In the vein of its title, Insidious: Out of the Further opts to stay very close to home, relying on recycled motifs, cliches, overly familiar setups.