Fatherland is a neat treatise on contradicting philosophies and how easy it is to feel homeless when the world presents itself as so binary.
Author: Jason Flatt
Jason Flatt
Jason Flatt is a Sr. Editor at But Why Tho? and producer of the But Why Tho? Podcast. He's usually writing about foreign films, Jewish media, and summer camp.
It’s overly romantic, a little condescending, and a bit sleepy, but The Only Living Pickpocket in New York will suffice.
In an age of AI, LAIKA Studio’s stop-motion masterpiece Wildwood stands out tall for its incredibly and intricately handmade beauty and wonder.
The New Stanford Prison Experiment is a despicable embarrassment attempting to “recreate” the infamous experiment as a reality show.
Wildwood is a triumph of human creativity, thanks to deeply lived-in storytelling of its original creators, Colin Meloy and Carson Ellis.
Nobody Wants This Season 3 is deeply frustrating, doing less than ever to actually explore what could be interesting about an interfaith relationship.
Klara and the Sun is certainly flawed, but where it charms, it charms hard, thanks to a standout performance and well shone themes.
Wildwood is the peak of its craft, weaving together a luscious, magical world and wonderful characters into a great fairy tale.