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Escape From The 21st Century is the very best piece of media fueled by nostalgia with a unique take on genre exploration and storytelling.
Yugo Sakamoto’s Baby Assassins 3 is the best Baby Assassins has ever been through and through for the kinetic Akari Takaishi and Saori Izawa,
Better Man has heart in spades, never losing itself in its absurd premise, but instead always presents a sincere portrait of Robbie Williams.
What makes this Kurosawa film, Cloud (2024) stand out is the dedication to using every situation as the build-up to something rich.
A genuinely fun time at the movies. The ways that the team brought to life the Hellworld and Mr. Crocket’s viscerally camp kills drive the film home.
The Assessment is equal parts chaotic and devastating, capturing the complexities of parenthood and how far one will go to prove worth.
Halfway between a drama and a thriller, tragedy is key to Andrews’ storytelling in Bring Them Down, leaving you questioning if you’ll watch again.
For all of its do-it-yourself charm, Chainsaws Were Singing falls onto its own chainsaw by letting its own bit drag out far past its prime.
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Terrifier 3 is a film that throttles so far over the line into bad taste that it becomes utterly enthralling.
Lolo and the Kid is sweet and simple, but it’s also special as this dynamic duo pretent to put Kid up for adoption so they can rob nice rich people blind.
Love In The Big City follows two social misfits who find solace in one another’s friendship as they try and grapple with their identities.