Being Heumann stars a captivating Ruth Madeley in the true story about a group of activists whose tireless efforts paved a new path.
Author: Allyson Johnson
Allyson Johnson
Allyson Johnson is a writer and Film Section Editor for But Why Tho? where she champions women and international filmmakers by curating a film section that looks beyond just Hollywood. She is co-founder and EIC of InBetweenDrafts.com and a member of the Boston Society of Film Critics, with bylines at ThePlaylist, RogerEbert, TheBostonGlobe, and more.
Iron Boy (2026) is a visual marvel and a spectacular and grounded coming-of-age story from filmmaker Louis Clichy.
Elsinore works best when Andrew Scott is allowed to command the screen as the late actor Ian Charleson as her prepares for his final performance.
Everybody Wants to F*ck Me stars a committed performance by a hilarious Taron Egerton, but it’s not enough to sustain a wildly uneven film.
A Long Winter follows the deconstruction of a family as the matriarch makes an unexpected departure through the snowy woods.
Wild Horse Nine is a spectacular showcase for John Malkovich and Sam Rockwell in the latest from Martin McDonagh.
Fjord follows a single family who face intense scrutiny for their beliefs, leading to a major shake-up in their lives.
Driving home the idea of the integrity of memory and how it’s through memories that we survive, The Last Blossom is an unassuming gem.