Whereas too many shows hit the same beats for too long, Dexter: Resurrection Season 1 charts a fun, new course.
Author: James Preston Poole
James Preston Poole
James Preston Poole is a freelance writer for But Why Tho? covering film and television, with a special focus on genre and indie film. He has written about film since he was a child and has learned over the decades that each film or TV series is its own unique beast that deserves to be met on its own terms.
There’s never been another film like You Can See Everything, an immense, perfect, cinema landscape-leveling piece of work.
Beware Boiúna’s somewhat inconsistent narrative choices are offset by a highly consistent gritty tone and naturalistic, driving performances.
Come With Me presents a pronounced warning about the vultures who prey on those simply looking for some meaning in life.
Super Troopers 3 is an unassuming hangout comedy that contains enough character-based yucks to recommend to longtime Broken Lizard fans.
Featuring masterful chemistry between the leads, the necessary romance, a delightfully unhinged premise, and plenty of laughs, One Night Only just works.
An esoteric dark fairy tale, Her Private Hell is an overwhelmingly beautiful experience that is peerless in its ability to curate a vibe.
For all its craftsmanship, In the Hand of Dante simply doesn’t come together, although it’s consistently noble in its failure to work.