Dune: Prophecy debuts as an engrossing hard sci-fi series that puts the political intrigue before the spectacle, adopting a cadence all its own.
Author: James Preston Poole
Eschewing aesthetic flash, Juror #2 is a classically effective drama that thrives off of impeccable staging and layered performances.
Sony’s Spider-Man Universe was a strange little pocket of comic book cinema that deserves to be studied, or at the very least ranked.
Maria successfully showcases the interiority Angelina Jolie can bring to a role, but gets a bit lost in the weeds trying to capture a complicated woman.
If Kraven the Hunter is indicative of anything with Sony, it’s that they should’ve stayed in their lane making more trashy good times like this.
In Dune: Prophecy Episode 3, intentions are made clear, the specter of banned technology looms large, and an exciting future is teased.
A wickedly erotic game of cat-and-mouse, Babygirl is as irresistibly sexy as it expansive in its themes and performances.
In Dune: Prophecy Episode 2, the plot developments keep coming, the visuals are taking shape, and the scheming has taken center stage.