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TIFF
K-Pops is an adorable family comedy that, while treading familiar territory, provides a father-son relationship that shines bright!
Form, feel, and style pervade in The Brutalist, whose very construction informs its weighty meditation on American mythmaking.
Aside from its fascinating take on its anti-aging science, Shell is a tonally confused, half-baked attempt at a girl power moment.
Heretic will challenge its viewers, even if it doesn’t necessarily challenge or take a definitive stance amid its discussions.
Luca Guadagnino’s Queer is so overpowering and mesmeric, that it becomes almost instinctual to fall under its sultry spell.
With a terrific cast but lackluster direction and writing, Saturday Night recounts the premiere night of Saturday Night Live.
Even if “The Room Next Door” is a minor entry in his canon, Almodóvar still understands how to stir and scintillate.
Pamela Anderson stars as a Las Vegas showgirl in Gia Coppola’s emotionally stirring and introspective The Last Showgirl.
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Love In The Big City follows two social misfits who find solace in one another’s friendship as they try and grapple with their identities.
The Shadow Strays continues to prove Tjahjanto’s mad contributions to the action sphere, and underneath is a journey of a woman wanting more
Heretic will challenge its viewers, even if it doesn’t necessarily challenge or take a definitive stance amid its discussions.