horror
Velan Studios has officially released Midnight Murder Club after five months of early access, and its bringing the chaos.
Witchboard (2025) lacks an identity that its cult film predecessor nailed, proving that it won’t reach cult status anytime soon.
Lured in with the prospect of tentacles, Addison Heinmann’s Touch Me is much more than its tantalizing tidbits, offering equal humor and gore
Strange Harvest is a frequently engaging experiment that doesn’t get the desired result due to the undercooked nature of its storytelling.
Violent, bloody, dark, and yet deeply funny, Zach Cregger’s Weapons (2025) is the best horror film of the year so far.
Blumhouse Games’ Eyes of Hellfire is bringing a co-op title to the publisher’s library and it looks like the gothic horror you’ll need.
Ick blends creature feature, goofy farce, and genuine message about being authentically yourself in an irresistibly anarchic blast.
Haunted Mountains: The Yellow Taboo has an incredibly strong first half, but gets lost in the weeds as it navigates its way to its ending.
The constant state of ambiguity and stress-inducing secrecy that permeates HELLCAT makes for an intense viewing experience.
Korean zombies continue taking over Netflix with All of Us Are Dead Season 2 cast released as production begins.
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Dave Franco and Alison Brie’s Together (2025) is disgustingly funny, genuinely ugly, and just a good time at the movies.
Korean zombies continue taking over Netflix with All of Us Are Dead Season 2 cast released as production begins.
A heavy focus on the fears of fatherhood against a severely underdeveloped alien abduction plot leaves Descendent (2025) feeling incomplete.