horror

The Mortuary Assistant has the right ingredients with a talented cast, good effects, and writers familiar with the game, but it still fails.

REANIMAL does an excellent job evolving what Tarsier does best, delivering another stellar game that surpasses their previous best work.

The Strangers Chapter 3 goes beyond being a serviceable slasher to a genuinely quite good one by having a fresh take on its titular villains.

Dracula (2025) is a lesser entry in the long, and especially recent, canon of Dracula adaptations, this time, with a romantic twist.

Whistle (2026) fails to shatter expectations or bring anything super fresh to the horror table despite some strong central performances.

A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience. 

Undertone is a can’t miss horror event that feels like it will be mirrored for years to come by up-and-coming filmmakers.

Leviticus (2026) offers jumpscares and deeply realistic moments of conversation that will shake audience members.

Buddy (2026) squanders its potential due to inconsistencies in its aesthetic, characterization, and a misjudged B-plot. 

Return to Silent Hill not only feels misguided and uninspired in form, feel, and function, but it also manifests as a new low for the video game adaptation.