Film

Heart of the Beast is an incredible and moving look into what it means to truly put everything on the line for the sake of someone else.

Rinko Kikuchi shines in Ha-Chan Shake Your Booty as a ballroom dancer whose grief sends her on a journey of real and imagined romantic adventures.

In A Violent Nature 2 can thrill with its kills, but it lacks the creative conceptual spark that the original had.

A stylish vessel of the past, Primetime asks its audience to decide what meaning to fill it with, and it’s worse for it. 

The Debut consistently unfolds as an absorbing, fascinating exploration of the self, illuminated through the artificiality of the stage.

Boyle’s aggressively filthy, sporadically successful direction quickly clashes and sputters against trite, hackneyed biopic material in Ink (2026).

Bad Apples isn’t all bad, but the core is rotten, as school teacher Saoirse Ronan accidentally kidnaps a student and locks him in her basement.

Look Back (2026) is a gorgeous live-action adaptation from director Hirokazu Koreeda that brings new depth to Tatsuki Fujimoto’s work.

Bedford Park explores the burgeoning relationship between two unlikely people, played beautifully by Moon Choi and Son Suk-ku.

Bad Lieutenant: Tokyo feels more like an exercise in cinematic branding than a genuine expression of Takashi Miike’s singular sensibilities