Film

The lure of power couple Javier Bardem and Penélope Cruz is undeniable in writer/director Florian Zeller’s Bunker (2026).

Iron Boy (2026) is a visual marvel and a spectacular and grounded coming-of-age story from filmmaker Louis Clichy.

Elsinore works best when Andrew Scott is allowed to command the screen as the late actor Ian Charleson as her prepares for his final performance.

In her fourth feature film, Future Tense, Jenna Cato Bass’s foray into sci-fi becomes an unfortunately timely story.

I will probably never look at cracked concrete the same way again after watching John…

Everybody Wants to F*ck Me stars a committed performance by a hilarious Taron Egerton, but it’s not enough to sustain a wildly uneven film.

Tender Loving Care is a revelation only Leigh could deftly deliver at the twilight of his career, after a mythic canon spent probing human connection.

While lacking subtlety, Paradise Lost bleakly depicts a mother’s love and the messiness of grief coupled with newer reality-blurring technologies.

Hope (2026) is a fantastic movie despite its flaws, with intense action, emotional depth, and a message about the dangers of xenophobia.

A Long Winter follows the deconstruction of a family as the matriarch makes an unexpected departure through the snowy woods.