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Film
I Saw The TV Glow has the legs to be a cult classic in the vein of the television series it immortalizes through The Pink Opaque.
Decadent and beautiful, Immaculate doesn’t reimagine religious horror, but it does walk the well-trodden path with a head held high.
Murder Mubarak follows an unconventional investigator unraveling a murder mystery at an elite social club where nothing is as it seems.
A mixture of slice-of-life with a dash of existentialism, Rascal Does Not Dream of a Knapsack Kid shines its spotlight on Sakuta Azusagawa
Every moment watching Lindsay Lohan wish to marry her crush instead of her best friend in Irish Wish is worth its weight in gold
Civil War (2024) is an overwhelming experience, capturing the importance of journalism but also the fragility of life on the frontline.
Amazon MGM’s Rudy Mancuso is a phenomenal talent. In Música, his ability to create art from noise is unparalleled in this movie.
Arcadian rises above its familiar trappings to provide a strong action-horror bolstered by strong creature design and game Nicolas Cage.
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The Tearsmith is an utterly confusing, absolutely uninteresting mess of a movie about two teens adopted by the same family from a hellish orphanage.
City Hunter thrives on its absurdity. Sure, Ryo Saeba isn’t the most likable protagonist, but he is endlessly charismatic.
Skillfully directed, fantastically paced, and expertly acted, Challengers is a great film overall (once you forget the film you were marketed).