TIFF

K-Pops is an adorable family comedy that, while treading familiar territory, provides a father-son relationship that shines bright!

Form, feel, and style pervade in The Brutalist, whose very construction informs its weighty meditation on American mythmaking.

Aside from its fascinating take on its anti-aging science, Shell is a tonally confused, half-baked attempt at a girl power moment.

Heretic will challenge its viewers, even if it doesn’t necessarily challenge or take a definitive stance amid its discussions.

Luca Guadagnino’s Queer is so overpowering and mesmeric, that it becomes almost instinctual to fall under its sultry spell.

With a terrific cast but lackluster direction and writing, Saturday Night recounts the premiere night of Saturday Night Live.

Even if “The Room Next Door” is a minor entry in his canon, Almodóvar still understands how to stir and scintillate.

Pamela Anderson stars as a Las Vegas showgirl in Gia Coppola’s emotionally stirring and introspective The Last Showgirl.

All of You (2024) finds a stronger foundation when dissecting the tragedy of its romance, even if relationship itself proves frustrating.

The worlds of faith and politics don’t collide in Conclave but reveal themselves to be intrinsically intertwined with great wit and poignancy.