Toronto International Film Festival (TIFF)

Elsinore works best when Andrew Scott is allowed to command the screen as the late actor Ian Charleson as her prepares for his final performance.

In her fourth feature film, Future Tense, Jenna Cato Bass’s foray into sci-fi becomes an unfortunately timely story.

Everybody Wants to F*ck Me stars a committed performance by a hilarious Taron Egerton, but it’s not enough to sustain a wildly uneven film.

Tender Loving Care is a revelation only Leigh could deftly deliver at the twilight of his career, after a mythic canon spent probing human connection.

While lacking subtlety, Paradise Lost bleakly depicts a mother’s love and the messiness of grief coupled with newer reality-blurring technologies.

A Long Winter follows the deconstruction of a family as the matriarch makes an unexpected departure through the snowy woods.

Wild Horse Nine is a spectacular showcase for John Malkovich and Sam Rockwell in the latest from Martin McDonagh.

Your Mother Your Mother Your Mother reunites Bassam Tariq and Mahershala Ali in a riveting action-thriller that grapples with faith and grief.

While it loses steam in its final act, Hur Jin-ho’s The Assassin(s) weaves a tense conspiracy-ridden tale that will suck people in.

As a feature directorial debut, Ah Girl is a strong outing for Ang Geck Geck Priscilla, with Ong Xuan Jing’s performance bringing it all together,