Film
Expendables 4 disappoints, straying from its iconic formula, leaning on CGI, and underutilizing its star-studded cast leaving it feeling bland.
Falling Stars, its script, and its actors are able to pull off a large lore swing with an intimacy that makes a difference.
SLEEP follows an idyllic married couple expecting their first child as the husband’s sleepwalking becomes increasingly dangerous.
No One Will Save You is a gorgeous film and an atmospheric one that trusts its audience to solve the story without heavy exposition.
‘Poolman’, directed by Chris Pine, feels like a sketch comedy skit gone awry, left to haphazardly unfold way past its punchline.
A Normal Family from director Hur Jin-ho is a strong think piece, one that provokes a deep look inward to expose our true selves.
With Dear Jassi, director Tarsem Singh Dhandwar returns to the country of his birth with his most unadorned and powerful film to date.
‘Hit Man’ starring Glen Powell is the type of elevated studio comedy sorely lacking in today’s Hollywood.
KILL (2023 )is a rare move that mercilessly and gloriously lives up to its title, a shot of adrenaline straight to the heart.
Reptile is a maximalist exercise in pastiche that is stupidly easy to decipher and at its heart lies Del Toro’s captivating performance,
TRENDING POSTS
Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.
Street Fighter is at its best, not when it attempts to avoid being cheesy or campy, but when it leans into it. It’s a love letter to the video game.















