horror

In the vein of its title, Insidious: Out of the Further opts to stay very close to home, relying on recycled motifs, cliches, overly familiar setups.

It Ends isn’t for everyone and it likely won’t keep the attention of a horror fan who thinks they’re getting something like Dead End.

The Sinking City 2 is difficult and pushes you to your limits with stellar world building and ensemble characters brought down by an annoying protagonists.

Teenage Sex and Death at Camp Miasma, the latest from Jane Schoenbrun, dissects and homages slasher films with an unlikely relationship at the center.

Train to Busan turns 10 years old and for its anniversary, we’re revisiting the film and why it’s still a favorite among horror fans.

The Last House is a sci-fi thriller, complete with well-designed creatures, that functions more as a flawed family drama.

There’s no denying that The Mouths will get under your skin as Takashi Shimizu’s memorable scares show his mastery in directing horror.

Though Silent Hill: Townfall is a standalone story, it ties into the series in the ways that matter.

Ahead of its release on Shudder, Sarah spoke with writer/director Hanna Bergholm about the influence of motherhood on Nightborn.

Sour Minnows is not going to be embraced by all, and that’s okay. It’s a niche film that ironically defies categorization.