REVIEWS
“The Mines of Mandalore” seemingly brings Din Djarin’s journey to a close as he returns to his home planet and learns about its legends.
Almighty #2 sees Del and Fale continue their run from the Golden State Motorcycle Gang as the series skillfully builds its characters.
Predator (2023) #1 delivers a new challenge for the Yaujta while paying homage to one of the most underrated Predator films in the process.
Sumida and its urban legends come to life in PARANORMASIGHT: The Seven Mysteries of Honjo in a way I didn’t expect from a 2D visual novel.
Fatal Frame: Mask of the Lunar Eclipse excellently emphasizes its great features but is severely held back by its several dated elements.
Scream VI is better than the last, proving that the franchise has ways to excite and build a larger Ghostface mythos without stopping.
REVIEW: ‘The Outer Worlds: Spacer’s Choice Edition’ Bundles Up All The Goodness In One Package (XSX)
The Outer Worlds: Spacer’s Choice Edition brings improvements to the original game while bundling all the DLC into one convenient package.
Despite some promising mechanics and catchy music, DIG – Deep in Galaxies proves that some ideas should not get clearance for takeoff.
Ken Follett’s The Pillars of the Earth is an excellent story set in 12th-century England that brings players an incredibly authentic tale.
Adventures of Superman: Jon Kent #1 sees Jon faced with an old tormentor returning to haunt him in this tension building opening.
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TRENDING POSTS
The Apothecary Diaries Season 3 Episode 1 reestablishes the characters and their world while hinting at potential widespread devastation.
REVIEW: ‘Steel Ball Run: JoJo’s Bizarre Adventure’ Episode 3 – “The Desert-Born Outlaws”
It’s time to spin into Steel Ball Run Episode 3, and we’re right back in the thick of it with Johnny Joestar and Gyro Zeppeli.
Catherine Zeta-Jones is great in the stylishly flashy Kill Jackie, but all that flash can’t hide thin characterization and contrived plotlines.
Netflix’s East of Eden is a modern adaptation that doesn’t turn its back on the past, but expands on the tragedy.















