REVIEWS
Hell’s Paradise Episode 4 is another foundation episode while still managing to add enough action to keep the story moving.
‘Plan 75’ by director Chie Hayakawa is a devastating film that will break your heart with a soulful performance by Chieko Baisho.
Yellowjackets Season 2 Episode 5 shines with the addition of Lauren Ambrose as adult Van and ends on a massive cliffhanger.
Mobile Suit Gundam: The Witch From Mercury Episode 15 is an emotionally crushing detour to revisit Guel, but sets him up for a larger role.
REVIEW: ‘The Ancient Magus Bride,’ Season 2 Episode 3 — “Birds of a Feather Flock Together II”
The Ancient Magus Bride Season 2 Episode 3 introduces viewers to more of Chise’s classmates as the conflict for the season quietly brews.
Bojji encounters a small band of thieves and strange creatures in Ranking of Kings: Season 2 Episode 2 streaming on Crunchyroll.
Mashle: Magic and Muscle Episode 3 sees Mash encounter a new classmate Loyd, who is a bully with Mash in his sights in this complex episode
A Tourist’s Guide To Love makes you feel like the magic of a vacation could maybe last forever as a tourist and her guide find love in Vietnam.
Smile For Me runs like a fever dream. It’s a visual mixed-media collage environment that combines 2D and 3D elements that creates a unique player experience that feels unhinged.
God of Rock is a new and unique fusion of the rhythm and fighting genres that has a lot to offer fans of rock music and fighting games.
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TRENDING POSTS
The Apothecary Diaries Season 3 Episode 1 reestablishes the characters and their world while hinting at potential widespread devastation.
REVIEW: ‘Steel Ball Run: JoJo’s Bizarre Adventure’ Episode 3 – “The Desert-Born Outlaws”
It’s time to spin into Steel Ball Run Episode 3, and we’re right back in the thick of it with Johnny Joestar and Gyro Zeppeli.
Catherine Zeta-Jones is great in the stylishly flashy Kill Jackie, but all that flash can’t hide thin characterization and contrived plotlines.
Netflix’s East of Eden is a modern adaptation that doesn’t turn its back on the past, but expands on the tragedy.















