Author: Jason Flatt

Assassin’s Creed’s slow-release story strategy has been great for lore fans while helping keep the games more streamlined for casual players.

Minions and Monsters is uneven, but it’s cute. A Minion person, will enjoy it, if not, the Hollywood parodies aren’t enough to save you.

Supergirl could be much worse; Milly Alcock single-handedly ensures that it isn’t, but it deserves to be much better, too.

The Death of Robin Hood feels like a movie built on a vibe instead of a vision as Hugh Jackman takes on a revisionist version of the story with A24.

Girls Like Girls is a simple queer coming-of-age story with great performances and a lot of empathy for its characters and its audience.

Toy Story 5 is the gold standard for not just sequels, but animation and family movies, as Jessie, Buzz, and Woody help Bonnie navigate the tech age.

Backrooms is filled with fascinating ideas, but it misunderstands therapy, holding the narrative back from being good or memorable.

Disclosure Day is sometimes meandering, but it’s a profound culmination of everything Steven Spielberg has ever wondered, feared, or dreamed about.