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Goosebumps (2023) is able to bring to life decades-old stories and do so by bringing them into the present with reverence for R.L. Stine.
The Conference sees some municipal employees’ team building retreat take a deadly turn when a determined killer crashes the party.
Strong performances give a helping hand to A Deadly Invitation, a Mexican whodunit that offers light entertainment but not much else.
With a fantastic cast that sells you on every joke and vapid play to get in someone’s bed, Totally Killer is totally fantastic.
The Mill isn’t nuanced in its message about burnout and the way our workplaces exploit us, and you know what, it doesn’t have to be.
Alien Annual 2023 #1 is a silent comic that experiments with removing all humans from a monster story, with the Xenomorphs causing more carnage.
The Exorcist: Believer is a film buckling under a franchise attachment it didn’t need, leaving it somewhere in the void of the middle.
The Devil That Wears My Face #1 is a fresh take on the exorcism story, flipping the classic character tropes upside down.
We spoke with Lindsey Anderson Beer, director of the Pet Sematary prequel about legacy and telling a story about grief and responsibility.
Getting lost in the weeds of trying to turn the franchise again to appease everyone, SAW X is chained by the past not growing from it.
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Gore Verbinski returns with Good Luck Have Fun Don’t Die, we talked with him about the film’s overt stance against AI, and his return.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Anti-colonial horror at its finest, Mārama is moving and cathartic, Ariana Osborne makes this Maori gothic revenge horror story near perfect.