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Tense, unique, and unafraid to let silence dominate, We Bury The Dead is nothing you’d expect and everything that makes a zombie story compelling.
Amy Wang’s directorial debut, Slanted (2025) uses genre storytelling to capture a lived experience that resonates deeply.
If you’re interested in expanding your feminist horror viewing experience, dive into these horror titles that people haven’t tackled much.
Kelly Marie Tran, Miles Robbins, and Shal Ngo talk about Control Freak, which taps deep into generational trauma and the demons that arise.
The Parenting brings a couple and their parents to a remote rental for the weekend only for the haunted house’s demon to test their relationship.
Clown In A Cornfield is a great stab at the early aughts sensibilities, aesthetics, and comedy that we haven’t seen executed this well in a while.
Not only does Opus draw too much from the drying well of an increasingly tired horror concept but lacks the bite to make the venture worthwhile.
Despite its emphasis on control, Control Freak loses it by juggling different variables. There’s potential there, but it is delayed on launch.
Solo developer Vincent Adinolfi and horror publisher DreadXP have revealed that Heartworm will be coming to PC this spring.
Celebrating Black representation always has an importance. Here are the most powerful Black characters in horror.
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The Sinking City 2 is difficult and pushes you to your limits with stellar world building and ensemble characters brought down by an annoying protagonists.
Anti-colonial horror at its finest, Mārama is moving and cathartic, Ariana Osborne makes this Maori gothic revenge horror story near perfect.
In the vein of its title, Insidious: Out of the Further opts to stay very close to home, relying on recycled motifs, cliches, overly familiar setups.