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Elize: Shadows of a Woman is less interesting than the existing true crime docuseries based on the same subject.
Spider-Man: Brand New Day reintroduces a game Tom Holland but spends too much time on the greater, overarching Marvel narrative.
The Last Footage ultimately adds too many things to its story that weigh down what could have been a strong outing.
I Want Your Sex is a great takedown of everybody younger than Gregg Araki, as Gen Z and Millennials collide over who’s more sexually messed up.
The Truthers isn’t a terribly complicated mystery-thriller, but its chilling depiction of conspiracy theorists is all too real.
Sour Minnows is not going to be embraced by all, and that’s okay. It’s a niche film that ironically defies categorization.
Hadestown: The Musical brings a new twist on Greek mythology to the big screen in this soaring filmed version of the tragic, jazzy smash hit.
72 Hours is the epitome of streaming slop as Kevin Hart and a floundering SNL cast fail to make any jokes at a generational differences bachelor weekend.
An esoteric dark fairy tale, Her Private Hell is an overwhelmingly beautiful experience that is peerless in its ability to curate a vibe.
Sheep in the Box is a rare misstep for the normally impeccable Hirokazu Koreeda, struggling to find real meaning despite a topical subject.
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The Secret Woman follows when an amnesiac woman’s previous life catches up with her. She is drawn into a mystery that never fully comes together.
Facing El Chapo follows a pair of police men as they try to bring in a notorious drug lord before his people can kill them.
All Wishes Come True! is a fun reimagining of classic legendary characters who come by their immortality by just themselves.