Film
Fingernails scratches at an immense philosophical itch but fails to satisfy it. Instead, it opts for surface level explorations.
The Persian Version is a great dramedy that goes beyond its title to be a universal yet specific story for immigrants everywhere.
Five Nights At Freddy’s doesn’t live up to the horror hype around the IP, its saving grace for is that it’s available on Peacock.
Beautiful and macabre, Sister Death continues the stellar track record for Spanish horror originals on Netflix.
Pain Hustlers not only needs a higher dosage of fresh ideas, but a new prescription altogether in this dull mockumentary.
Sofia Coppola’s Priscilla captures a love that is home to loneliness and a growing contempt but hidden by glamour.
The Devil on Trial uses dramatizations and archival resources to explore a supposed possession that led to a fatal stabbing.
It’s rare for a film to come along at this runtime and make every minute earned, but Killers of the Flower Moon does just that.
D*cks: The Musical is one of the strangest displays of creativity and spectacle committed to screen all year, and probably long before that.
The Conference sees some municipal employees’ team building retreat take a deadly turn when a determined killer crashes the party.
TRENDING POSTS
From start to finish, Project Hail Mary it is undeniably captivating, poignant, and gorgeous in this space race to save the world.
BTS The Comeback Live | ARIRANG cements BTS as one of the greats, a fantastic return filled with energy and confidence.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.















