Film
Strong performances give a helping hand to A Deadly Invitation, a Mexican whodunit that offers light entertainment but not much else.
With a fantastic cast that sells you on every joke and vapid play to get in someone’s bed, Totally Killer is totally fantastic.
Ballerina is a decent addition to the action genre, albeit with a slightly forgettable plot. Jeon Jong-seo is one to remember.
The Mill isn’t nuanced in its message about burnout and the way our workplaces exploit us, and you know what, it doesn’t have to be.
Fair Play’s tonal shifts aren’t always executed well but it’s capture of the uncomfortable fall of a relationship makes it worth a watch.
Strange Way of Life is interesting as a curio but its heavy-handed dialogue and bafflingly meager approach to intimacy is vastly disappointing.
The Exorcist: Believer is a film buckling under a franchise attachment it didn’t need, leaving it somewhere in the void of the middle.
A period piece and an intimate epic, 100 Yards is an artful look at martial arts politics that should be seen on the big screen.
Eve Hewson stars as a mother trying to contend with a rebellious son in Flora and Son the latest film from director John Carney.
Despite how its premise sounds, Forgotten Love it is one of 2023’s best romances by a landslide thanks to its fully realized characters.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Emerald Fennell’s latest, “Wuthering Heights,” trades in gothic storytelling for pastel dreams and a pedestrian affair.














