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Hamlet (2025) can’t justify its dramaturgical decisions or win us back with strong enough craft or performances.
‘Mermaid’ is a flawed but no less memorable feature film from writer and director Tyler Cornack in his most mainstream work yet.
Faces of Death (2026) delivers a visceral narrative that holds a mirror to how desensitized society is becoming due to social media.
Pizza Movie, starring Sean Giambrone and Gaten Matarazzo, delivers heightened absurdist comedy with fully realized characters to anchor it.
The Drama struggles to work beyond shock value despite committed performances from Zendaya and Robert Pattinson.
The Super Mario Galaxy Movie is a bit of a mess, prioritizing lavish visuals and a critical mass of references over telling a coherent story.
Mike & Nick & Nick & Alice gives Vince Vaughn a moment to shine in dual performances but struggles with the competing tones.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.
BTS: The Return is a thoughtful and honest look at expectations and stress, while showcasing the beauty of the relationships of the group.
Miroirs No. 3 tracks an unlikely dynamic as two women must grapple with grief, loss, and finding a way to move forward.
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Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.
Street Fighter is at its best, not when it attempts to avoid being cheesy or campy, but when it leans into it. It’s a love letter to the video game.