Film
Girls Like Girls is a simple queer coming-of-age story with great performances and a lot of empathy for its characters and its audience.
Toy Story 5 is the gold standard for not just sequels, but animation and family movies, as Jessie, Buzz, and Woody help Bonnie navigate the tech age.
Jinsei, from visionary debut director Ryuya Suzuki, follows a single life over the course of a tumultuous century.
Another World (2026) is an emotionally grueling yet undoubtedly stirring approach to healing and the afterlife.
Colors of Evil: Black is a Polish Netflix original that reinforces the idea that lightning doesn’t normally strike twice.
USA 94: Brazil’s Return to Glory introduces unseen footage in the form of handheld recordings from within the Brazilian national team.
Kraken (2026) does just enough to make its mark in an oversaturated genre, with the titular creature having a justified need for vengeance.
Disclosure Day is sometimes meandering, but it’s a profound culmination of everything Steven Spielberg has ever wondered, feared, or dreamed about.
Find Your Friends isn’t a total flop without anything to cling to, nor is it the worst Gen Z focused thriller and or horror film you could watch.
Mexico 86 is an off-the-wall, high-energy ride driven by a dedicated cast, but its heavy fictionalization limits its audience.
TRENDING POSTS
Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.
Street Fighter is at its best, not when it attempts to avoid being cheesy or campy, but when it leans into it. It’s a love letter to the video game.















