Film
Director Yuuki Igarashi and Outline Studio take a largely successful swing at this classic with the new Netflix film The Ribbon Hero.
David Robert Mitchell’s The End of Oak Street taps into the summer movie experience that Amblin helped created.
Sunny Sandler takes center stage in Don’t Say Good Luck, a moving drama about a theater kid’s big break during a family crisis.
The Last House is a sci-fi thriller, complete with well-designed creatures, that functions more as a flawed family drama.
Super Troopers 3 is an unassuming hangout comedy that contains enough character-based yucks to recommend to longtime Broken Lizard fans.
Featuring masterful chemistry between the leads, the necessary romance, a delightfully unhinged premise, and plenty of laughs, One Night Only just works.
SMILE… The Worst Is Yet To Come follows a couple in their 40s as a chance encounter forces them to look at what they want in life.
There’s no denying that The Mouths will get under your skin as Takashi Shimizu’s memorable scares show his mastery in directing horror.
Alan Ritchson delivers a stellar action performance in Motor City (2026), but its choice to abandon dialogue is too much of a gimmick.
Wild Sing (Waildeu ssing) takes a comedic swing at the K-pop industry during the early 2000s era, and is somewhat entertaining in the process.
TRENDING POSTS
Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.
Street Fighter is at its best, not when it attempts to avoid being cheesy or campy, but when it leans into it. It’s a love letter to the video game.















