sci-fi

Hope (2026) is a fantastic movie despite its flaws, with intense action, emotional depth, and a message about the dangers of xenophobia.

EXODUS has the potential, if the audience can meet it on its own terms, and narratively time dilation is the real winner.

EXODUS is Archetype Entertainment’s debut title, and after our talk with the Studio’s Head, Chad Robertson, it’s clear that it’s embracing hope.

David Robert Mitchell’s The End of Oak Street taps into the summer movie experience that Amblin helped created.

The Last House is a sci-fi thriller, complete with well-designed creatures, that functions more as a flawed family drama.

Sour Minnows is not going to be embraced by all, and that’s okay. It’s a niche film that ironically defies categorization.

With Star Trek’s 60th anniversary fast approaching and little to show for it besides a…

It may take a bit too long to get there, but Silo Season 3 delivers the show’s most wide-eyed horrors and moving sacrifices yet.

Per Aspera Ad Astra uses satire and self-deprecating humor to mask its true identity as a futuristic tale with a real message.

The Boroughs is one of Netflix’s best sci-fi series thanks to it’s take on grief, aging, and a cast that that goes all-in.