horror
In The Turning, a woman is hired as a nanny of two orphans at their estate but quickly realizes that both the house and kids are harboring dark secrets.
As Eva falls further into Donatien’s clutches the twisted web of her classmate’s lives continues to tangle in Heartbeat #3.
Harpoon shows that we don’t ever know our friends or their motivations as three friends wind up stranded on a yacht fighting for survival.
With Meg’s mysterious transformation worsening, Loretta and her family travel in search of answers in ‘Family Tree’ #3 from Image Comics.
The Dead Lands, a Māori supernatural-action adventure that uses the culture’s myths and traditions, episode one: Tell the Dead I’m Coming.
Sweet Heart shows how horror can be used to tell stories about our struggles, coming out in March, we got the chance to speak with its creator.
‘The Red Mother #2’ sees Daisy trying to get her life back on track, but she remains haunted by her lost fiance and a strange shadowy figure.
Written and Ddrected by Roger Scott, The Marshes takes place deep in a remote marshland and focuses on three young biologists as they conduct research.
‘The Dollhouse Family #3’ from Hill House Comics dials up the supernatural and pushes its story into a bloody realm for an adult Alice.
Mark Gatiss and Stephen Moffat adapt another piece of iconic literature in Netflix/BBC One’s Dracula. Find out how this reimagining pans out.
TRENDING POSTS
Midnight: Spider-Man Issue 1 isn’t for the weak-stomached webhead fans, as the comic spearheads a new horror-led universe.
Mike Flanagan embraces the familiar with great success in Carrie (2026), but the giant swings he takes to add new things ultimately miss the mark.
Crystal Lake is looking to shake things up, and while some things raise eyebrows, Linda Cardellini and William Catlett are absolutely slaying it.













