Film
Fight or Flight is absurdist action violence, and that makes it a top contender for the best action movie of the year.
Exterritorial scratches that mid-budget action itch that is finally starting to come into focus in the action landscape again.
Holy Night Demon Hunters throws everything familiar with the exorcism genre against the wall, hoping it’ll stick. It’s chaotic but it works.
The Rose of Versailles tells the tale of Oscar, a woman who serves in the French Royal Guard in the years leading it to the French Revolution
Thunderbolts* feels stunted by the limitations levied by its shared universe where any new lens is obfuscated by the mold it’s forced to fit into.
Spreadsheet Champions is a highly entertaining and charming film about teenagers pursuing Microsoft Excel championship glory.
Despite a fun premise and the director’s prior work, Bullet Train Explosion can’t quite live up to the fun and mayhem that its title suggests.
HAVOC (2025) is a messy, gritty, blood-soaked thriller that puts its visceral action front and center but lacks in much else.
Until Dawn unfolds as an effective and economic slice of horror, often playing as a greatest hits compilation of its source material.
With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.
TRENDING POSTS
Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.
Street Fighter is at its best, not when it attempts to avoid being cheesy or campy, but when it leans into it. It’s a love letter to the video game.















