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Heart Eyes (2025) knows how to keep love in the air while splattering heaps of blood on the ground.
Love Hurts (2025) is a fun movie, but it has a big Rose-sized pain point as the character doesn’t match the tone of the rest of the action-comedy antics.
Predators lacks the structure or commitment to completely confront its subject in a satisfying manner, but gets close in some key areas.
‘Attack on Titan: The Last Attack’ is produced by MAPPA and directed by Jun Shishido and Yuichiro Hayashi now brings the thrilling conclusion in one theatrical piece.
Bunnylovr is a strong showing of tenderness and understanding that highlights Katarina Zhu’s ability to paint an immersive portrait.
Writer-director Rashad Frett’s feature debut, Ricky (2025), is necessary viewing, and a prime example of compassionate storytelling.
Plainclothes (2025) is an emotionally dense watch as Lucas comes into his truth, but his guilt weighs heavy.
LUZ is backed by an easy on the eyes aesthetic, but its wandering nature and lack of real insight leaves it as a missed opportunity.
Cole Webley and Robert Machoian’s Omaha (2025) is a family portrait you can’t pull your eyes away from, a movie that thrives in subtly.
Rose Byrne’s If I Had Legs I’d Kick You will make you want to crawl under my seat, it will make you want to simply stop existing.
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The Secret Woman follows when an amnesiac woman’s previous life catches up with her. She is drawn into a mystery that never fully comes together.
Facing El Chapo follows a pair of police men as they try to bring in a notorious drug lord before his people can kill them.
All Wishes Come True! is a fun reimagining of classic legendary characters who come by their immortality by just themselves.