Film
If the goal of Sundance’s NEXT program is to highlight filmmakers with an ear to the pulse of culture, then Carey Williams earns his place with R#J
Sator (stylized SATOR) is an existential, slow-burn horror film that blends fiction and truth, written and directed by Jordan Graham.
Written and directed by Mike Cahill Bliss tells a story about mental health and healing through the veil of science fiction.
From A24, Lee Issac Chung’s Minari paints an illustrious picture of a Korean family just trying to make it in 1980s Arkansas.
In Land, Edee, a lawyer that has just suffered a tragedy loses the ability to connect with people and retreats to a remote mountain cabin to disappear.
Set in a small town in the Texas Hill Country, Cusp follows the lives of three teenage girls as they navigate heartbreaks, formative moments, and loss.
Shudder Original, A Nightmare Wakes, written and directed by Nora Unkel, hones in on the pain of Mary Shelley’s life, as much as it does her creativity.
The debut film from writer-director Rose Glass, Saint Maud hits hard as a bold and visceral vision tackling faith and salvation.
Cryptozoo is the creation of directing-screenwriting-animating triple threat Dash Shaw and features the voice talents of Lake Bell and Michael Cera.
Prime Time is set on the last day of 1999, near the end of the pre-online era, leading 20-year old Sebastian to hijack a TV broadcast.
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Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Collision Course focuses on the aftermath of a bank robbery and how a single moment can completely change the course of events.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.













