Film
The debut film from writer-director Rose Glass, Saint Maud hits hard as a bold and visceral vision tackling faith and salvation.
Cryptozoo is the creation of directing-screenwriting-animating triple threat Dash Shaw and features the voice talents of Lake Bell and Michael Cera.
Prime Time is set on the last day of 1999, near the end of the pre-online era, leading 20-year old Sebastian to hijack a TV broadcast.
Delving into a hard subject with bold aesthetics and morbid curiosity, Censor explores gore and consciousness with unsettling ease.
Ultimately, Notturno barely passes for a documentary and is mostly a seemingly random bundle of scenes from a depressing Middle East region sewn together.
When it comes to stories of courage and exploring our fantastical world, you’d be hard-pressed to find a better film than Playing With Sharks.
A Netflix Original, Finding ‘Ohana is directed by Jude Weng and written by Christina Strain and blends treasure hunting and culture.
Palmer, written by Cheryl Guerriero and directed by Fisher Stevens, offers up a wholesome and emotional look at found family.
Netflix’s newest biopic Penguin Bloom is based on the life of Samantha Bloom and the book written about her and her family.
Small runtimes don’t make the films any less grand and Doublespeak is a perfect example of how large storytelling comes in small packages.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














