Toronto International Film Festival (TIFF)

Writer/director Yeon Sang-ho and the cast of The Ugly discuss how pivotal the characters were in addressing the film’s central themes.

Nanouk Leopold’s Whitetail is more a meditative drama rather than a thriller, characterized by its languid pace and quiet edge.

There’s no denying Yeon Sang-ho’s The Ugly will spark conversations, with the film leaving much to think about.

Unfolding with barbed, acerbic precision, No Other Choice slyly dissects the ouroboric state of corporate and workplace politics.

Whistle is a breath of fresh air, presenting a snapshot of a niche community that embraces whistling in all of its glorious tonal colors.

The Furious runs full steam ahead and never slows down, delivering frenetic blows and violence that will leave audiences breathless.

As a feature debut, Obsession shows Barker knows exactly how to make his audience squirm, and delivers hope for a promising future in horror.

A Useful Ghost is more than its comedic-enriched premise. An underlying social commentary emerges that will stand the test of time.

Unfolding at a leisurely pace, The Secret Agent eschews conventions to manifest as a living, breathing cinematic novel.

Netflix has officially announced that its upcoming Korean film, Good News, will premiere on its global platform in October after TIFF premiere.