Toronto International Film Festival (TIFF)

The Assessment is equal parts chaotic and devastating, capturing the complexities of parenthood and how far one will go to prove worth.

Woo Min-ho’s Harbin is tension-ridden and offers a shallow albeit successfully inspiring display of resistance against all odds.

The Shadow Strays continues to prove Tjahjanto’s mad contributions to the action sphere, and underneath is a journey of a woman wanting more

K-Pops is an adorable family comedy that, while treading familiar territory, provides a father-son relationship that shines bright!

Form, feel, and style pervade in The Brutalist, whose very construction informs its weighty meditation on American mythmaking.

Aside from its fascinating take on its anti-aging science, Shell is a tonally confused, half-baked attempt at a girl power moment.

Heretic will challenge its viewers, even if it doesn’t necessarily challenge or take a definitive stance amid its discussions.

Luca Guadagnino’s Queer is so overpowering and mesmeric, that it becomes almost instinctual to fall under its sultry spell.

With a terrific cast but lackluster direction and writing, Saturday Night recounts the premiere night of Saturday Night Live.

Even if “The Room Next Door” is a minor entry in his canon, Almodóvar still understands how to stir and scintillate.