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Thriller
Don’t Move sees Iris attempt to stave off death until a paralyzing agent injected in her has run its course in this unique thriller.
The Platform 2 fails to ascend past its predecessor, retreading familiar territory and forgoing the benefits of delicious ambiguity.
A thriller-comedy with a bit of bite, Get Away has an iffy execution of the third act, but the payoff is fun mayhem all the same.
What makes this Kurosawa film, Cloud (2024) stand out is the dedication to using every situation as the build-up to something rich.
The Assessment is equal parts chaotic and devastating, capturing the complexities of parenthood and how far one will go to prove worth.
Halfway between a drama and a thriller, tragedy is key to Andrews’ storytelling in Bring Them Down, leaving you questioning if you’ll watch again.
Red Rooms is a harrowing thriller that centers the moral rot that can accompany going down the true crime rabbit hole.
Kaniehtiio Horn’s Seeds highlights her distinct voice and perspective and also confirms she deserves more leading lady material.
Righteously angry, Rebel Ridge is a pointed indictment of the United States policing system and a near perfect thriller.
As admirable as The Seed of The Sacred Fig is, heavy-handed messaging and a clunky third act keep it from greatness.
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Catherine Zeta-Jones is great in the stylishly flashy Kill Jackie, but all that flash can’t hide thin characterization and contrived plotlines.
Heart of the Beast is an incredible and moving look into what it means to truly put everything on the line for the sake of someone else.
Below (2026) finds itself in choppy waters the deeper it goes into its narrative, but eventually pulls itself back on course for its bittersweet finish.