horror
Amy Wang’s directorial debut, Slanted (2025) uses genre storytelling to capture a lived experience that resonates deeply.
If you’re interested in expanding your feminist horror viewing experience, dive into these horror titles that people haven’t tackled much.
Kelly Marie Tran, Miles Robbins, and Shal Ngo talk about Control Freak, which taps deep into generational trauma and the demons that arise.
The Parenting brings a couple and their parents to a remote rental for the weekend only for the haunted house’s demon to test their relationship.
Clown In A Cornfield is a great stab at the early aughts sensibilities, aesthetics, and comedy that we haven’t seen executed this well in a while.
Not only does Opus draw too much from the drying well of an increasingly tired horror concept but lacks the bite to make the venture worthwhile.
Despite its emphasis on control, Control Freak loses it by juggling different variables. There’s potential there, but it is delayed on launch.
Solo developer Vincent Adinolfi and horror publisher DreadXP have revealed that Heartworm will be coming to PC this spring.
Celebrating Black representation always has an importance. Here are the most powerful Black characters in horror.
Vampire Hunter D Bloodlust is a phenomenal display of visual design, epic storytelling, and gothic horror you probably haven’t seen.
TRENDING POSTS
YAGA Episodes 1-2 set the stage for what is shaping up to be an exciting supernatural procedural show, with its mystery already sinking its claws in.
Midnight: Spider-Man Issue 1 isn’t for the weak-stomached webhead fans, as the comic spearheads a new horror-led universe.
Crystal Lake is looking to shake things up, and while some things raise eyebrows, Linda Cardellini and William Catlett are absolutely slaying it.















