horror
The Strangers Chapter 3 goes beyond being a serviceable slasher to a genuinely quite good one by having a fresh take on its titular villains.
Dracula (2025) is a lesser entry in the long, and especially recent, canon of Dracula adaptations, this time, with a romantic twist.
Whistle (2026) fails to shatter expectations or bring anything super fresh to the horror table despite some strong central performances.
A slow-burning submarine voyage into cosmic dread, Iron Lung, directed by Mark Fischbach, fundamentally trusts its audience.
Undertone is a can’t miss horror event that feels like it will be mirrored for years to come by up-and-coming filmmakers.
Leviticus (2026) offers jumpscares and deeply realistic moments of conversation that will shake audience members.
Buddy (2026) squanders its potential due to inconsistencies in its aesthetic, characterization, and a misjudged B-plot.
Return to Silent Hill not only feels misguided and uninspired in form, feel, and function, but it also manifests as a new low for the video game adaptation.
Infirmary (2026) makes it obvious early on that there is no happy ending; we’re left to wonder just how horrible an outcome awaits.
To prepare for 28 Years Later: The Bone Temple, make sure check out these 10 horror films, from post-apocalyptic terror to zombie flicks.
TRENDING POSTS
Amy Wang’s directorial debut, Slanted (2025) uses genre storytelling to capture a lived experience that resonates deeply.
Darkly fantastical and a furious look at women’s place in the world, Maggie Gyllenhaal’s The Bride is a reimagining like no other.
Why have one horror story when you could have five? Check out where ‘Nightmare Cinema’ succeeds and where it struggles before you press play.















