horror

Lured in with the prospect of tentacles, Addison Heinmann’s Touch Me is much more than its tantalizing tidbits, offering equal humor and gore

Strange Harvest is a frequently engaging experiment that doesn’t get the desired result due to the undercooked nature of its storytelling.

Violent, bloody, dark, and yet deeply funny, Zach Cregger’s Weapons (2025) is the best horror film of the year so far.

Blumhouse Games’ Eyes of Hellfire is bringing a co-op title to the publisher’s library and it looks like the gothic horror you’ll need.

Ick blends creature feature, goofy farce, and genuine message about being authentically yourself in an irresistibly anarchic blast.

Haunted Mountains: The Yellow Taboo has an incredibly strong first half, but gets lost in the weeds as it navigates its way to its ending.

The constant state of ambiguity and stress-inducing secrecy that permeates HELLCAT makes for an intense viewing experience.

Korean zombies continue taking over Netflix with All of Us Are Dead Season 2 cast released as production begins.

Hold The Fort is so-silly-it’s-kind-of-stupid levels of fun. From beginning to end, even in the most violent situations, the humor never stops.

I Know What You Did Last Summer (2025) is a summer movie that embodies the 90s for better (its vibe) and worse (its fashion choices).