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Kidnapping Inc. is the type of off-color humor, action movie that works perfectly for a Midnight film at a festival.
In The Summers is a painfully perfect film about the anguish loving your family can cause and the way our memories change as we age.
Love Me (2024) is interesting, to say the least. A buoy and a satellite fall in love and find sentience and belonging along the way.
Miller’s Girl is aimed at pushing buttons, but it isn’t tantalizing or intriguing; it’s just absolutely boring.
Filled with humor—and ultra-violent fight scenes—Badland Hunters is a top-tier popcorn flick for anyone in love with the action genre.
Inside the Yellow Cocoon Shell, the feature film debut from Phạm Thiên An, follows a young man who must deliver his sister-in-laws body to her hometown.
The Kitchen is a slightly sci-fi movie that feels extremely present despite being set in the future, in Daniel Kaluuya’s directorial debut.
Steven Soderbergh employs visual experimentation for a one-of-a-kind ghost story whose stars shape into a winner.
The American Society For Magical Negroes is a hollow representation of its subject instead of a satirical skewering of a dangerous trope.
Love Lies Bleeding is a visceral love story that allows Kristen Stewart and Katy O’Brian to be hammers of retribution shaped by romance.
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The Secret Woman follows when an amnesiac woman’s previous life catches up with her. She is drawn into a mystery that never fully comes together.
Facing El Chapo follows a pair of police men as they try to bring in a notorious drug lord before his people can kill them.
All Wishes Come True! is a fun reimagining of classic legendary characters who come by their immortality by just themselves.