Film

Mother of the Bride could finally make me swear off Netflix Original rom-coms for good—it’s so well conceived and so poorly executed.

Kingdom of the Planet of the Apes is a thoughtful, visually accomplished work that continues the franchise track record.

Prom Dates has some highlights, but like most proms, it’s a completely forgettable dramedy about best friends trying to find last minute prom dates.

13 Bombs sees a terrorist cell attempt to destabilize the Indonesian financial system and drag two cryptocurrency executives into the plot.

Ryusuke Hamaguchi delivers a haunting and mournful thriller in his latest, Evil Does Not Exist, which shows the effects of urban gentrification.

Brutal action, vibrant cinematography, and a stellar score should be a top-tier actioner—but Boy Kills World gets lost in the middle.

City Hunter thrives on its absurdity. Sure, Ryo Saeba isn’t the most likable protagonist, but he is endlessly charismatic.

Rebel Moon Part 2: The Scargiver sees the battle come to Veldt as Kora leads her village against the forces of Admiral Noble.

With a witty script, solid scares, and creatively gory violence, Abigail is one Vampire story you won’t want to miss in theaters.

The Ministry of Ungentlemanly Warfare suffers from a lack of focus that makes it not much more than Guy Ritchie on autopilot.