Film
Prime Video’s Play Dirty is a heist movie that aims to keep filling the void of the direct-to-DVD age and for the most part it works.
V/H/S/Halloween is a found footage film to throw on with your favorite snacks or watch during a Halloween marathon.
In French Lover, an actor falls in love with a woman who doesn’t know if she can handle his fame as their charm helps overcome rom-com contrivance.
Despite its misbegotten ending, Eleanor the Great is a good movie about living, losing, and loving with a wonderful intergenerational relationship.
As a spinoff (though it should just be considered a sequel) of Kill Boksoon, Mantis is the young scrappy upstart trying to find its footing.
One Battle After Another is a mixture of disparate elements that shouldn’t work, but against all odds does, and it is a win for the audience.
Yorgos Lanthimos’ Bugonia is his latest dark comedy that features two powerhouse performances but still winds up an empty dark comedy.
A weak script drags Marko Zaror’s strong action showcase in Affinity, a romance action thriller you might want to skip.
Vicious (2025) is a suffocating, often cruel experience that accurately simulates depressive self-loathing while building a vague mythology.
Chris Stuckmann’s Shelby Oaks works because it feels every bit like a “by horror fans, for horror fans” experience.
TRENDING POSTS
Netflix’s Swedish film, The Storm, is one hell of a dinner party and an even more epic cinematic meltdown.
Sense and Sensibility (2026) lets romance take a backseat to sisterhood in Georgia Oakley’s emotional interpretation of Jane Austen’s beloved novel.
Street Fighter is at its best, not when it attempts to avoid being cheesy or campy, but when it leans into it. It’s a love letter to the video game.















