Film
Surprisingly, House of Spoils is bewitchingly relevant—using ambition and talent to tell its lead and audience to just let it go.
A college student is possessed by the ghost of an assassin in Ghost Killer, a fun action comedy film that delivers spectacular action sequences.
Adding a sci-fi element in the mix, V/H/S/Beyond succeeds for one reason: nearly all the segments are great.
Despite some shortcomings in the way their conversations are framed, Will and Harper shows that trans people are everywhere and are loved.
The Wild Robot solidifies the beauty and impact that Dreamworks has been delivering in animation, and solidifies them as the studio to watch.
Never Let Go, feels like a fight between an atmospheric high tension pot boiler and a slow character study that barely reconciles the two halves.
Terrifier 3 is a film that throttles so far over the line into bad taste that it becomes utterly enthralling.
The best thing Boxer (2024) has going is the fact that underneath the predictable formula, there still is an interesting story about immigration.
The Shadow Strays continues to prove Tjahjanto’s mad contributions to the action sphere, and underneath is a journey of a woman wanting more
Officer Black Belt gets viewers comfortable with its buddy cop tone before taking them down an emotional pit that will leave an impression.
TRENDING POSTS
It is understandable how Shin Godzilla succeeded at the box office nearly a decade ago. The strength of its story still stands today.
‘Abandoned Man’ is a Netflix Turkish drama that explores the devastating impact of sacrifice, betrayal, and perseverance.
Trust (2025) delivers a lackluster survival thriller that’s only worthwhile in order to support female filmmakers.