Film
Whether or not Megalopolis is considered a masterpiece or a wild miss, it’s apparent that there has never been anything quite like this.
Mother of the Bride could finally make me swear off Netflix Original rom-coms for good—it’s so well conceived and so poorly executed.
Kingdom of the Planet of the Apes is a thoughtful, visually accomplished work that continues the franchise track record.
Prom Dates has some highlights, but like most proms, it’s a completely forgettable dramedy about best friends trying to find last minute prom dates.
13 Bombs sees a terrorist cell attempt to destabilize the Indonesian financial system and drag two cryptocurrency executives into the plot.
Ryusuke Hamaguchi delivers a haunting and mournful thriller in his latest, Evil Does Not Exist, which shows the effects of urban gentrification.
Brutal action, vibrant cinematography, and a stellar score should be a top-tier actioner—but Boy Kills World gets lost in the middle.
City Hunter thrives on its absurdity. Sure, Ryo Saeba isn’t the most likable protagonist, but he is endlessly charismatic.
Rebel Moon Part 2: The Scargiver sees the battle come to Veldt as Kora leads her village against the forces of Admiral Noble.
With a witty script, solid scares, and creatively gory violence, Abigail is one Vampire story you won’t want to miss in theaters.
TRENDING POSTS
With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.
In Snow White (2025) Rachel Zegler stands out in a good remake sullied by a bad casting choice and over-reliance on underperforming digital aspects.
Warfare (2025) is told from memory, and this A24 project can’t stop feeling intimately personal, even when it shocks.