Shelter (2026) offers more action in its back half, but its tried-and-true formula is exactly why we all show up for Statham’s action films.
Author: Kate Sánchez
Kate Sánchez
Kate Sanchez is Co-Founder and EIC of But Why Tho? She covers video games, film, TV, and anime. Kate is known for championing international media, animation, and media that tells stories from underrepresented perspectives. Kate is also a member of the Austin Film Critics Association and Hollywood Creative Alliance. As a freelance writer, she has bylines at MMORPG.com, IGN, and Game Informer.
See You When I See You captures hope and love, grief and pain, doing so with an earnestness that builds a bridge for the audience and its characters.
The Gallerist is always funny and never stale with an electrically chaotic ensemble cast that keeps you laughing.
Wildlight Entertainment’s founders Dusty Welch and Chad Grenier dive deep into their hopes for Highguard’s community development and future.
Wildlight’s Highguard is just good, it scratches the raiding itch without asking you to sink hundreds of hours into basebuilding.
Josephine (2026) is a technically perfect film and it’s the emotional depth and tenderness approach to trauma that captures the audience.
Leviticus (2026) offers jumpscares and deeply realistic moments of conversation that will shake audience members.
The Moment (2026) is boring at best, vapid at worst, but it’s always confusingly boring for the amount of personality Charli xcx brings to it.