RoboCop: Rogue City has an impressive level of emersion, and its mechanics ring true of the 80s era of its progenitor, even while feeling new and modern.
Author: Jason Flatt
Jason Flatt
Jason is the Sr. Editor at But Why Tho? and producer of the But Why Tho? Podcast. He's usually writing about foreign films, Jewish media, and summer camp.
Gargoyles Remastered is maybe fine for hardcore platforming fans and veterans a of the original, but it’s though to stomach the janky controls.
D*cks: The Musical is one of the strangest displays of creativity and spectacle committed to screen all year, and probably long before that.
Hot Wheels Unleashed 2 doesn’t do much different than its predecessor with it’s tight, simple mechanics and arcade racing action.
All the Fires is a reminder of how proximity to queerness saves lives in this Mexican coming-of-age story from first-time director Mauricio Calderón Rico
Foe is full of incredibly interesting ideas and pulls great performances out of all three of its actors, but it’s trying to be too much at once.
Strange Way of Life is interesting as a curio but its heavy-handed dialogue and bafflingly meager approach to intimacy is vastly disappointing.
Ubisoft’s Assassin’s Creed Mirage brings players to a new location and time period: The Abbasid Caliphate in Bagdad.