drama

Form, feel, and style pervade in The Brutalist, whose very construction informs its weighty meditation on American mythmaking.

Luca Guadagnino’s Queer is so overpowering and mesmeric, that it becomes almost instinctual to fall under its sultry spell.

Even if “The Room Next Door” is a minor entry in his canon, Almodóvar still understands how to stir and scintillate.

Pamela Anderson stars as a Las Vegas showgirl in Gia Coppola’s emotionally stirring and introspective The Last Showgirl.

All of You (2024) finds a stronger foundation when dissecting the tragedy of its romance, even if relationship itself proves frustrating.

Paradise is Burning is a sweet and upsetting look at the final days before three sisters risk being separated after their mother abandoned them.

With a short runtime of just over an hour, Family Portrait is about what it makes you feel, not what it’s telling you.

Lily Gladstone delivers a tremendously moving performance as Jax, a woman looking for her missing sister in Fancy Dance.

The Bikeriders reads as a pretty love letter that’s quick to seduce us but gives us little reason to stay once its true, dull colours are laid bare.

This Closeness takes advantage of the sights and sounds of its tight quarters as an unhealthy relationship imposes itself on their rental host.