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Little Amelie or the Character of Rain gorgeously brings the work of Amélie Nothomb to life with stunning, 2D and digital animation.
Star Wars Visions Volume 3 Episode 9, “Black” stands as the purest expression of what Visions was meant to be: raw, unfiltered imagination.
Star Wars Visions Volume 3 Episode 8, “The Bird of Paradise” reminds us that Star Wars is at its best when it lets us feel the Force.
Studio TRIGGER’s “The Smuggler” trades spectacle for sincerity, and in doing so, it quietly finds something worth continuing in Star Wars: Visions Volume 3.
“Yuko’s Treasure” may not swing as hard as some of Star Wars: Visions Volume 3’s heavier entries, but it doesn’t have to.
The Ninth Jedi: Child of Hope proves Star Wars is best when animated: expressive, introspective, and beautiful, even if it revisits familiar ground.
Star Wars Visions Season 3 Episode 4, “The Bounty Hunter” strips Star Wars to its core: no prophecy, just the dangerous act of doing what’s right.
Star Wars Visions Season 3 Episode 2, “The Song of the Four Wings,” from Project Studio Q turns faith into firepower.
With some editing, The Twits could have been something great, with strong animation and music, finding itself in the middle instead.
Splinter Cell Deathwatch sees Sam Fisher return to the world of espionage as 4th Echelon must stop a deadly plot from coming to fruition.
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Ne Zha II is the highest grossing animated film of all time, and there are even more movies from Chinese animation studios to watch.
Star Wars Visions Volume 3 Episode 9, “Black” stands as the purest expression of what Visions was meant to be: raw, unfiltered imagination.
First Look: TWICE’s Jeongyeon, Jihyo, and Chaeyoung will be featured in Netflix’s K-Pop Demon Hunters animated series’ soundtrack.