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Despite some shortcomings in the way their conversations are framed, Will and Harper shows that trans people are everywhere and are loved.
The Wild Robot solidifies the beauty and impact that Dreamworks has been delivering in animation, and solidifies them as the studio to watch.
Never Let Go, feels like a fight between an atmospheric high tension pot boiler and a slow character study that barely reconciles the two halves.
Terrifier 3 is a film that throttles so far over the line into bad taste that it becomes utterly enthralling.
The best thing Boxer (2024) has going is the fact that underneath the predictable formula, there still is an interesting story about immigration.
The Shadow Strays continues to prove Tjahjanto’s mad contributions to the action sphere, and underneath is a journey of a woman wanting more
Officer Black Belt gets viewers comfortable with its buddy cop tone before taking them down an emotional pit that will leave an impression.
Twilight of the Warriors: Walled In is a riotous, eager return for Hong Kong action that honors the past while ambitiously breaking boundaries.
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The Snow Sister (2024) is refreshing in its embrace of the ghostly habits of more somber traditional Christmas storytelling.
Jacques Audiard’s ‘Emilia Pérez’ is a deeply offensive movie towards México with its shallow and unauthentic representation.
That Christmas may not be the most revolutionary holiday film, but there’s enough heart, silliness, and prime messaging in this animated film to give it its wings.