Film
‘Upgraded’ doesn’t reinvent the wheel of the rom-com. That’s a good thing, as it’s a comforting reminder of why the genre works.
An action fantasy film, The Tiger’s Apprentice showcases the creativity in cultural stories exploring feelings of belonging and loss.
‘She is Conann’ takes a surreal stab at the mythology of a classic character in an exhilaratingly original reinvention.
The Peasants is fulled painted animation highlighting what little autonomy Jagna when forced to marry Boryna instead of his son who she loves.
‘The Monk And The Gun’ is a delightfully biting satire from director Pawo Choyning Dorji who expertly plays with our expectations.
Argylle is the latest Matthew Vaughn farce, and it is a fun time, especially with a group of friends who don’t take things seriously.
In her new documentary ‘Bye Bye Tiberias,” director Lina Soualem luminously tells the story of her mother, Hiam Abbass, and their family.
The Heartbreak Agency doesn’t completely lack charm, but it does lack thoughtfulness as a disgraced journalist seeks heartbreak therapy.
Will (2024) is just another WWII movie doing little to push the medium—the areas where it attempts to are more exhausting than impactful.
While intended for kids, Orion and the Dark sits firmly with the rest of Kaufman’s oeuvre, packing an existential punch that resonates.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














