Film
Bad Boys: Ride or Die is micro-content that’s ballooned way past its terminal point, subsisting off influencer cameos, feigned comedy, and gimmicky action.
The Blue Angels has exciting aerial cinematography that can’t drown out a weak commercial-like documentary narrative.
Colors of Evil: Red tells a brutal tale of violence and corruption when a young woman suffers a heinous act that leaves her dead.
A Part of You is a powerful depiction of a teenager coping with sudden and horrific loss, but the movie itself is drawn out and disinteresting.
The Shrouds is a cold and stiff film itself, akin to that of a corpse, and not in a complimentary fashion.
With pedal-to-the-metal performances from all, horrifyingly creative gore, goo, and everything in between, The Substance is a knockout.
Atlas is pretty and Lopez continues her run as a competent action star, but the film badly wants to be an anime without any worldbuilding.
My Oni Girl follows Hiiragi and Tsumugi as they go on a life-altering adventure filled with fantastic danger and self-discovery.
Furiosa is Anya Taylor-Joy at her best and a true testament to Chris Hemsworth’s talent when he’s allowed to hit beyond expectations.
HAIKYU The Dumpster Battle captures the energy of the series while amplifying the tension as Karasuno High and Nekoma High face off.
TRENDING POSTS
From start to finish, Project Hail Mary it is undeniably captivating, poignant, and gorgeous in this space race to save the world.
BTS The Comeback Live | ARIRANG cements BTS as one of the greats, a fantastic return filled with energy and confidence.
The Red Line, the latest Netflix international release, is a thrilling game of cat-and-mouse that follows a group of women seeking justice.















