Film
Jung Hae-in and Hwang Jung-min are a dynamic action duo that balance each other perfectly in I The Executioner.
Outside of Julia Garner’s understated performance and sharp direction, there’s not enough fresh to recommend visiting Apartment 7A
Woo Min-ho’s Harbin is tension-ridden and offers a shallow albeit successfully inspiring display of resistance against all odds.
Surprisingly, House of Spoils is bewitchingly relevant—using ambition and talent to tell its lead and audience to just let it go.
A college student is possessed by the ghost of an assassin in Ghost Killer, a fun action comedy film that delivers spectacular action sequences.
Adding a sci-fi element in the mix, V/H/S/Beyond succeeds for one reason: nearly all the segments are great.
Despite some shortcomings in the way their conversations are framed, Will and Harper shows that trans people are everywhere and are loved.
The Wild Robot solidifies the beauty and impact that Dreamworks has been delivering in animation, and solidifies them as the studio to watch.
Never Let Go, feels like a fight between an atmospheric high tension pot boiler and a slow character study that barely reconciles the two halves.
Terrifier 3 is a film that throttles so far over the line into bad taste that it becomes utterly enthralling.
TRENDING POSTS
Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.














