Film

Redux Redux is a wonderfully understated take on the multiverse that doubles as a poignant story of the messiness of letting go of past wounds.

A movie called The Threesome could be just about anything, with most of those things putting titillation first. Chad Hartigan swerves the opposite way.

On Swift Horses is anything but swift, a banal slog that only intermittently comes to life when it’s not trodding over a well-beaten path.

Another Simple Favors offers its biting humor in small doses, it plots a confusing but mostly dynamic mystery with Anna Kendrick and Blake Lively.

The Electric State is more than a road trip sci-fi film, it becomes a mirror to how society has historically treated those it deems as “other.”

Tense, unique, and unafraid to let silence dominate, We Bury The Dead is nothing you’d expect and everything that makes a zombie story compelling.

 Amy Wang’s directorial debut, Slanted (2025) uses genre storytelling to capture a lived experience that resonates deeply.

The Rivals of Amziah King is a phenomenal sophomore film for Andrew Patterson, with Matthew McConaughey and Angelina LookingGlass leading.

Death of a Unicorn may struggle initially and edge on too much replication, even for an original concept, but it’s still a fun time.

The Surfer (2025) is a hell of a ride, taking audiences through a ridiculous rivalry between a man who just wants to surf and the men who refuse to let him do so.