Film
Officer Black Belt gets viewers comfortable with its buddy cop tone before taking them down an emotional pit that will leave an impression.
Twilight of the Warriors: Walled In is a riotous, eager return for Hong Kong action that honors the past while ambitiously breaking boundaries.
K-Pops is an adorable family comedy that, while treading familiar territory, provides a father-son relationship that shines bright!
Form, feel, and style pervade in The Brutalist, whose very construction informs its weighty meditation on American mythmaking.
Transformers One breathes new life into the Transformers franchise in the most superb ways, while keeping it rooted in the canon beloved by fans.
Aside from its fascinating take on its anti-aging science, Shell is a tonally confused, half-baked attempt at a girl power moment.
Heretic will challenge its viewers, even if it doesn’t necessarily challenge or take a definitive stance amid its discussions.
Luca Guadagnino’s Queer is so overpowering and mesmeric, that it becomes almost instinctual to fall under its sultry spell.
Blumhouse’s Speak No Evil severely misunderstands the appeal of the original, offering little but a pale imitation.
Red Rooms is a harrowing thriller that centers the moral rot that can accompany going down the true crime rabbit hole.
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It is understandable how Shin Godzilla succeeded at the box office nearly a decade ago. The strength of its story still stands today.
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Trust (2025) delivers a lackluster survival thriller that’s only worthwhile in order to support female filmmakers.