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Spreadsheet Champions is a highly entertaining and charming film about teenagers pursuing Microsoft Excel championship glory.
Despite a fun premise and the director’s prior work, Bullet Train Explosion can’t quite live up to the fun and mayhem that its title suggests.
HAVOC (2025) is a messy, gritty, blood-soaked thriller that puts its visceral action front and center but lacks in much else.
Until Dawn unfolds as an effective and economic slice of horror, often playing as a greatest hits compilation of its source material.
With his horror film Sinners, Ryan Coogler proves himself once again as a master filmmaker with original and bold vision.
The Amateur follows a CIA decryption specialist as he seeks vengeance on those who killed his wife, attempting to pose harsh moral questions.
Sacramento (2025) is a pleasant homage to California and the Sacramento area that’s overshadowed by a mismatch of acting pairs.
A Nice Indian Boy delivers a strong core story but can’t quite deliver on the main romance due to a lack of chemistry.
Nicole Kidman stars in the hollow and immediately frustrating psychological thriller Holland, directed by Mimi Cave.
Jason Statham’s A Working Man understands the assignment, and it’s better for it, showing that mid-budget action still belong in theaters.
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Avatar 3 is a cinematic wonder, showing what can be done with computer-generated effects when care and love are poured into it all.
10Dance understands the heart of Inoue Satoh’s manga, and director Keishi Otomo understands precisely how to embrace the audience.
Primate (2025) is at home in its absurd violence, pulling apart jaws, smashing in skulls, ripping off faces, is where it shines.